“Andrew Aronowicz’s Strange Alchemy with deft orchestration brought a touch of the contemporary to this program.”
— Clive O'Connell, The Age Newspaper

For information about obtaining scores, please get in contact.

Orchestral:

  • Strange Alchemy (2013) – orchestra (8')
    commissioned by the Cybec Foundation as part of the MSO 21st Century Composers Program

  • Astral Figures (2012) – orchestra (8')

  • New Atlantis (2011) – orchestra (7')

  • Toccata: “Wildfire” (2011) – string orchestra (5')

 

Chamber:

  • The Abbotsford Mysteries (2019) - mezzo soprano, violin, clarinets and piano
    premiere performance and recording funded by a Creative Victoria VicArts Grant

  • Gossamer (2016) – alto flute, cello and piano
    commissioned through the Glen Johnston Composition Award, Macedon Music

  • Shattering Blooms (2016) – violin, clarinet and piano
    commissioned by Plexus Ensemble

  • Arborescence (2015) – flute (doubling bass flute), clarinet (doubling bass clarinet), violin, cello and piano
    commissioned by Syzygy Ensemble

  • Spire (2014) – two percussionists (5')
    commissioned by the Arts Centre Melbourne

  • Moths (2014) – three percussionists and live-manipulated electronics (8')
    composed for the Speak Percussion Emerging Artists Program

  • Weird (2013) – song cycle for soprano and mixed chamber ensemble in three movements (18')
    libretto by Naomi Johnson

  • Admitting the Passage of Light (2013) – string quartet (10')

  • Trio – flute, viola and harp (14')

    • I. Green Language (2012)

    • II. Hollow Earth (2012)

    • III. Of the Spheres (2011)

  • Constellation (2011) – clarinet and piano (10')

 

Solo: 

  • The Physiology of Taste (2014) – solo bass trombone (12')
    commissioned by Benjamin Anderson

  • Following the Blackbird (2014) – solo flute and live electronics (15')
    commissioned by Naomi Johnson

  • Harpy (2012) – for solo semi-acoustic violin (4')
    commissioned by Sarah Curro

  • Jam (2010) – solo viola (2')
    winner of the ANZVS Viola Composition Competition (2014)

 

Choral: 

  • Archephony (2015) – for 8 voices
    commissioned by Forest Collective

  • In Places Where They Sing (2012) – a capella SATB chorus (5')
    commissioned by the Tudor Choristers of Melbourne

  • Song of the Clouds (2011) – a capella SATB choir (3'30'')

 

Experimental:

  • Surgery (2014) – structured improvisation for two percussionists and amplification (unspecified duration)
    devised for the Speak Percussion Emerging Artists Program)

 

Young Performers:

  • Earworm (2015) – SATB choir and piano (5')
    composed for the 41st Border Music Camp

  • Chutzpah! (2015) – beginner string ensemble (2')
    composed for the 41st Border Music Camp

  • Crossing the Border (2015) – intermediate string ensemble (3')
    composed at the 41st Border Music Camp

  • Song of Passage (2011) – combined junior and intermediate string ensembles, piano and soloists (5'30'')
    commissioned by the Wesley College Society for the Arts

 

Arrangements:

  • Sew My Name (2015) – arrangement of Josh Pyke's original song for orchestra and vocals
    commissioned by the Sydney Symphony Orchestra